Skip to main content

Film Review: "Clouds of Sils Maria"

Film Review: "Clouds of the Sils Maria"


                                                



The play's the thing in Olivier Assayas' latest film, Clouds of Sils Maria, which stars Juliette Binoche as an actress preparing to star in a revival of the play that made her famous. The twist is that Binchoce's Maria Enders is playing the older woman of the play, who is driven to suicide by the younger woman, originally played by Maria and now being played a tabloid-friendly starlet (Chloe Grace Moretz). This set-up allows for the film to reflect on the passage of time and how we react to it. It's an interesting subject, and as the parallels between the play and the film, and the film and real life begin piling up, it's clear that Clouds of Sils Maria is operating on multiple levels. 



Kristen Stewart co-stars as Maria's young assistant, Valentine. Much of the film consists of Maria rehearsing her character Helena's lines, with Valentine reading the other part, Sigrid. These scenes take place at a house in the Swiss town of Sils Maria and along hiking trails in the Alps. It's not big on plot, but the characters are so richly drawn, you'll never want it to end. 

The acting is excellent. Binoche delivers a theatrical, calculated, precise performance. Stewart, on the other hand, takes a more modern approach, she's subtle, borderline naturalistic. The films seems aware the different acting styles, and almost comments on them as the lines between the characters in the film, and the characters in the play begin to blur. 

Moretz's character, the star of a science-fiction movie and having an affair with a married novelist, introduces the idea of what a culture values and how that changes over time. This subplot occasionally feels like a distraction to the main story, but Moretz is very good in the role.

Ultimately, more films should focus on less on the plot of the story, and more on what its trying to say. Clouds of Sils Maria, for all its ambiguities and complexities, is a film that knows what its about. 

Comments

Popular posts from this blog

Who is The Black Hood on Riverdale? Here are 5 Possible Suspects

There's a killer on the loose in Riverdale , the setting of the CW's dark adaptation of the Archie Comics, now in its second season. He's called the Black Hood, a reference to the vigilante superhero comic book of the same name published by Archie Comics. So far, he has shot Fred Andrews (Luke Perry), murdered Ms. Grundy (Sarah Habel) with a cello bow, and shot at Midge and Moose ( Emilija Baranac and Cody Kearsley), all while wearing his executioner's hood-style hood, which is how he got his name. His letter to the Coopers in the third episode of the season reveals he is targeting victims that he sees as criminals or hypocrites and the fourth episode revealed he got the idea from Betty's (Lili Reinhart) speech from the end of last season, where she pleaded that "Riverdale must do better." It's looking like figuring out the Black Hood's identity will be the big mystery of season two, so I have put together a list of possible suspects. Note: Th...

A Great Show Rushes to its End: "Mom" Finale Review

It's never easy to end a TV show, especially a long-running, beloved show like Mom . "My Kinda People and the Big To-Do," the last episode of Mom that aired May 13 on CBS, was a good episode. It was maybe even a great episode. But was it a satisfying series conclusion? No, not really. But we're getting ahead of ourselves. Before we talk about what didn't happen in the episode, let's talk about what did happen.  The episode begins at an AA meeting, as many episodes have. The ladies - Bonnie, Tammy, Jill, Marjorie, & Wendy - all share. They're all happy and in good places in their lives, much to the annoyance of newcomer Shannon (played by Melanie Lynskey, independent film mainstay whose sitcom credits include Chuck Lorre's Two and a Half Men ). Bonnie wants to help Shannon, as she had been helped by others when she too was new to the program, and even chases Shannon in the rain when she leaves the meeting. Later in the episode, we see Shannon...

Jim Parsons and Katie Holmes to Return to Broadway in Our Town: Review

A champagne problem of mine is that, having grown up in a suburb of New York, my knowledge of the theatrical canon is largely confined to the plays that have been revived on Broadway in my lifetime. And since Thornton Wilder’s seminal Our Town was last produced on the Main Stem when I was four years old, I had never encountered it until I saw Kenny Leon’s new revival, opening October 9th at the Barrymore Theatre. My theatre-going companion, hailing from a Midwestern small town not dissimilar from Grover’s Corners, was intimately familiar with the material via multiple high school interpretations. Despite being an oft produced play, Our Town had eluded me for so long that I was floored by the daringness and perceptiveness of the text when I finally saw it for myself. But that was all that floored me. Remarkably meta-theatrical for a play written in 1938, Our Town is both a play about life in a small town at the turn of the twentieth century and a play about a play about life in ...